31 August, 2023
Project Smok is the neo-trad trio of Ali Levack, Ewan Baird and Pablo Lafuente, whose nonconformist and progressive Scottish traditional music has set them apart since their formation in 2017.
Known for their ability to effortlessly blend trad music with contemporary new-age pop influences, Project Smok are at their most comfortable pushing boundaries, making listeners stop and re-evaluate their musical expectations.
Ahead of their sold-out Campfire Club with us on 1st September, we had six questions for them…
How did Project Smok first form?
The idea of Project Smok was originally the brainchild of Pablo and Ali, after performing as a duo at ‘Folklub’, Glasgow in 2017. It was after this gig that we chose to record with Scott Wood at Oakridge Studios, where he produced the debut record, ‘Horizons’. In Winter 2018, we welcomed the arrival of Ewan Baird on Bodhrán into the band The rest they say is history!
You’ve made a name for yourself as a band that plays non conformist and progressive Scottish traditional music – what influences have led you to make a name for yourselves as such a genre pushing group?
We all draw inspirations from different musical style and genres. The inspiration comes from all our different musical upbringing. From more traditional roots right across the spectrum to indie pop acts such as The 1975 and Bon Iver to more time-honoured, West Coast Scottish styles of playing.
What have been some highlights post the release of your debut album ‘Bayview’?
Since the release of our debut album ‘Bayview,’ we’ve experienced lots of great moment’s. We’ve had the pleasure of gaining new fans and followers. The release has also given us the leverage of having an album under our belt, opening doors to secure more gigs and festivals. One of our main goals, touring the new album, has become a reality, allowing us to connect with our audience and share our music in different places. The journey post-‘Bayview’ has been filled with memorable festivals and gigs. We can’t wait to get the new album out into the world!
In your album you use a number of analogue and vintage instruments – why did this feel important to the process of making the album?
Utilizing a range of analogue and vintage instruments was crucial to the album-making process for us. Thanks to the generosity of the incredibly talented Edwin Collins, who allowed us to use his studio equipped with priceless vintage microphones and analogue gear, we were able to capture a unique sonic quality that resonates with our music.
Our album holds a deep connection to Helmsdale, as well as to Edwin and Grace themselves, creating an ambiance that truly aligned with our intended vibe. By incorporating these analogue and vintage elements, we aimed to evoke a sense of authenticity and nostalgia while offering a fresh perspective from other albums. These instruments played a pivotal role in shaping the album’s sound. We will be forever grateful to Edwin and Grace for the use of there truly amazing home and studio.
You’ve been described as “a band at the forefront of contemporary music” – what do you hope to inspire in your listeners?
We are honored by the recognition as a band at the forefront of contemporary music. Through our music, we aim to inspire a sense of connection to tradition, and push boundaries for the future of traditional music. We hope our listeners find a space for introspection, a renewed appreciation for storytelling, and a bridge between the past and the present.
Work on your second album is underway – can you tell us anything about what we can expect?
The album is cooking away nicely as we speak. We are thrilled to be working on our second album. It’s an exciting journey where we’ve truly honed in on our signature sound. You can expect a few anthems and high-energy vibes that reflect our growth and musical identity. Collaborating with Duncan Lyall as our producer has been wonderful, bringing fresh perspectives to our creative process. We can’t wait to share this new chapter with our fans!
