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Kerry Andrew

Kerry was a British Council / PRS for Music Foundation Musician in Residence in China in 2016, spending five weeks in the Henan Province and making collaborative new rock/traditional-inspired songs based on foxes in folklore.

Kerry performs with the award-winning experimental post-a cappella trio juice vocal ensemble, who have released two albums on the Nonclassical label. Kerry also founded and performs alt-folk with You Are Wolf, exploring traditional songs and lore in unusual, electronica-tinged arrangements. Their second album, Keld, was awarded fRoots magazine’s Editor’s Choice! Album of the Year 2018 and was in the Guardian’s Top Ten Folk Albums 2018. The Lost Words: Spell Songs in 2019, saw Kerry work alongside musicians including Julie Fowlis and Karine Polwart, and have a song ‘Bluebell’ performed at the BBC Proms. Kerry is also a multi-instrumentalist with the rock/classical/jazz quintet DOLLYman.

Kerry has presented Hear and Now on BBC Radio 3, and was 2018’s Chair of the Judges for BBC Young Musician.

Kerry has written for the Guardian, writes libretti and made her short story debut on BBC Radio 4 in 2014. Debut novel Swansong was published by Jonathan Cape in January 2018. Kerry was shortlisted for the BBC National Short Story Award in 2018, alongside authors including Sarah Hall.

‘Imagine Bjork working her magic on the English folk scene’ – UNCUT

“a luscious song…the word-setting is just gorgeous… haunting and utterly timeless’ BBC Radio 3

‘English avant-folk at its best’ – The Observer

‘Stunning‘ – Classic FM

‘Brilliant, Berio-like vocal effects…’ – The Times

“Swansong is the real thing, right from the start: spiky, strange and contemporary, but always with a dark undertow of myth and folklore tugging at its telling. The voice jags at you, and the plot grips: this is a brilliant novel by a writer – and musician – of frankly alarming talent.” – Robert Macfarlane

[An] assured, immersive and atmospheric first novel’ – The Independent

‘A dark, glittering, contemporary take on the traditional folk song Molly Bawn that frames heart-bruised emotion in tactile prose… Andrew gives us words that sing.’ – The Herald

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