Kate St John is a composer, arranger, producer and instrumentalist (oboe, cor anglais, accordion, saxophone and piano). She was a member of The Ravishing Beauties, The Dream Academy and Channel Light Vessel, and has released two solo albums: Indescribable Night and Second Sight.
Although classically trained, Kate spread her wings early on, and has played with many singers and bands including Julian Cope, Marianne Faithfull, The Waterboys, Philip Glass, Damon Albarn, Jarvis Cocker, Martha and Rufus Wainwright, the Carthy/Waterson family, the Thompson family and the MacColl/Seeger clan.
In the nineties Kate toured with Van Morrison and played on 5 albums, and was a member of Tom Wait’s Magic Bullets Band for his and Robert Wilson’s Black Rider shows.
Since 2005, Kate has been Musical Director for multi-artist shows at The Barbican and The Festival Hall in London, and venues around the world, including the Way To Blue tributes to Nick Drake, Hal Wilner’s Rogues Gallery and Nino Rota concerts, Daughters Of Albion, Evening Of Political Song at Richard Thompson’s Meltdown, Bright Phoebus Revisited, Blood and Roses: Tribute to Ewan MacColl and the Imagining Ireland/Imagining Home concerts for the Centenary of the 1916 Easter Rising.
As an arranger, Kate has written string, woodwind and orchestral arrangements for various records and concerts, including Laura Marling and the BBC Scottish Symphony Orchestra for the opening night of Celtic Connections in Glasgow in 2017, and for Kris Drever and the Scottish Chamber Orchestra in 2017. Recent work includes string/woodwind arrangements for Phil Cunningham.
Alongside her writing partner and husband, Neill MacColl, she specialises in On Set music production in films and TV, having worked on Far From The Madding Crowd (2015), My Cousin Rachel (2017), Tulip Fever (2017), The Little Stranger (2018), Dirt Music (release 2020), Black Narcissus (2020).
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